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Theory of counterpoint

 Series
Identifier: Series II:

Scope and Contents

These materials appear to be similar to those of Schillinger System of Musical Composition Book VII (Theory of Counterpoint). Topics include: counterpoint, density & tension, resolution of dissonances; correlation of melodies (counterpoint); imitation (canon); fugue; modulations in two-part counterpoint; two-part counterpoint fugue & couplings; continuity of couplings. The handwriting in this series appears to be Lawrence Berk’s, with the exception of notes on the continuity of coupling.

Dates

  • Creation: circa 1930s

Creator

Conditions Governing Access

Collection is open for research by appointment. Advance notice is required for access because materials are stored offsite.

These materials have been digitized and are available online here

Language of Materials

From the Collection: English

Repository Details

Part of the Berklee Archives Repository

Contact:
Berklee
1140 Boylston St
Boston MA 02215 USA
617-747-8001