Box 12

This series contains arrangements by McGann, covering artists such as Django Reinhardt and Emil Stern as well as arrangements of Irish music. This series is arranged chronologically.

This series contains arrangements by McGann, covering artists such as Django Reinhardt and Emil Stern as well as arrangements of Irish music. This series is arranged chronologically.

This series contains materials created and used by McGann while teaching at Berklee. Items of note include “The Guitar Tablature Reader’s Guide to Standard Notation,” written by McGann in 1990, dossiers submitted to Berklee when applying for a promotion within the college, and lesson materials in Celtic music and bluegrass. This series is arranged chronologically.

This series contains materials created and used by McGann while teaching at Berklee. Items of note include “The Guitar Tablature Reader’s Guide to Standard Notation,” written by McGann in 1990, dossiers submitted to Berklee when applying for a promotion within the college, and lesson materials in Celtic music and bluegrass. This series is arranged chronologically.

This series contains materials created and used by McGann while teaching at Berklee. Items of note include “The Guitar Tablature Reader’s Guide to Standard Notation,” written by McGann in 1990, dossiers submitted to Berklee when applying for a promotion within the college, and lesson materials in Celtic music and bluegrass. This series is arranged chronologically.

This series contains materials created and used by McGann while teaching at Berklee. Items of note include “The Guitar Tablature Reader’s Guide to Standard Notation,” written by McGann in 1990, dossiers submitted to Berklee when applying for a promotion within the college, and lesson materials in Celtic music and bluegrass. This series is arranged chronologically.

This series contains materials created and used by McGann while teaching at Berklee. Items of note include “The Guitar Tablature Reader’s Guide to Standard Notation,” written by McGann in 1990, dossiers submitted to Berklee when applying for a promotion within the college, and lesson materials in Celtic music and bluegrass. This series is arranged chronologically.

This series contains materials created and used by McGann while teaching at Berklee. Items of note include “The Guitar Tablature Reader’s Guide to Standard Notation,” written by McGann in 1990, dossiers submitted to Berklee when applying for a promotion within the college, and lesson materials in Celtic music and bluegrass. This series is arranged chronologically.

This series contains materials created and used by McGann while teaching at Berklee. Items of note include “The Guitar Tablature Reader’s Guide to Standard Notation,” written by McGann in 1990, dossiers submitted to Berklee when applying for a promotion within the college, and lesson materials in Celtic music and bluegrass. This series is arranged chronologically.

This series contains materials created and used by McGann while teaching at Berklee. Items of note include “The Guitar Tablature Reader’s Guide to Standard Notation,” written by McGann in 1990, dossiers submitted to Berklee when applying for a promotion within the college, and lesson materials in Celtic music and bluegrass. This series is arranged chronologically.