Found in 10 Collections and/or Records:
Berklee College of Music collection of campus event recordings, 1995 - present
Berklee College of Music collection of campus events audio recordings, 1969-1994
This collection consists of 10 boxes of quarter inch, quarter track analog audio tapes of events held on the Berklee College of Music campus dating from approximately 1969-1994. Campus events recorded include clinics, master classes, concerts, opening convocation, and commencement ceremonies.
Berklee College of Music event programs, 1968-present
This collection consists of concert programs generated by Berklee College of Music’s Concert Operations department, known colloquially as the Concert Office. Events include student, faculty, visiting artist, and professional performances in the following five campus venues: Lawrence and Alma Berk Hall, Oliver Colvin Hall, David Friend Hall, The Red Room @ Café 939, and the Berklee Performance Center.
Berklee College of Music Video Services event recordings on tape, 1979-2005
Berklee Oral History Project interview collection, 1998-present
Bill Pierce collection of Berklee College of Music woodwind department recordings, 1988-2006
This collection consists of performance recordings within the Berklee College of Music woodwind department collected by Bill Pierce during his tenure as an instructor at the College. The majority of items are audio cassettes (106 total), but other formats include 46 compact discs, 3 VHS tapes, and 14 quarter inch audio reels.
David Liebman papers and sound recordings, 1912-2019
Laurdine Kenneth (Pat) Patrick, Jr. papers, 1927-2012
The Laurdine Kenneth (Pat) Patrick, Jr. Collection was donated to Berklee College of Music in August 2009, by the family of Pat Patrick, for the purpose of research and study of Black music and culture. The Patrick, Jr. papers consist of personal materials, music scores, photographs, and ephemera.
Renick Ross papers, 1946-2022
The papers of American composer, poet, artist, and craftsman Renick E. Ross (1940-2012) primarily pertain to Ross’s composing activities between the 1960s and 2011. Materials primarily include unpublished manuscripts, unpublished sound recordings, and biographical material.